Harriet Beecher Stowes Uncle Toms Cabin Essay -- Uncle Toms Cabin E

Harriet Beecher Stowe's Uncle Tom's Cabin "The Kitchen is Seasoned With Love" The above quotation is stamped on countless refrigerator magnets and embroidered on dishtowels across the world; and yet, how many of us ever stop to think about what it really means? After all, why is it important that a concept as ethereal and abstract as love should have significance in the kitchen, a place supposedly reserved for preparing that which is necessary only to maintaining the physical body? This question can perhaps be best answered by the â€Å"little woman† named Harriet Beecher Stowe, in her novel Uncle Tom’s Cabin – written before we even had refrigerators, much less magnets bearing heartwarming little proverbs. Whereas it may at first be overlooked, the description of different types of kitchens in Uncle Tom’s Cabin is in fact a recurring theme in the novel and not to be trivialized. On the contrary, Harriet Beecher Stowe uses the image of the kitchen to encompass one of the most pertinent aspects of her argument against slavery: that of the importance of the home and domestic life in the fight against oppression and injustice. An indoctrinated member of the infamous â€Å"Cult of True Womanhood,† an unofficial sisterhood designed to combat women’s lack of physical and political power by encouraging them to develop the power of influence, Stowe uses representations of the ideology of this alliance – whose central tenets are piety, purity, submissiveness, and domesticity – as weapons in her narrative battle against slavery’s evils. She aims these weapons straight at the heart of female readers belonging to the same sisterhood, especially mothers ; and with what territory should her feminine readership be more closely acquainted... ...ey into freedom. Finding meaning in Stowe’s use of kitchen imagery is not too difficult a task; her comparison of Chloe’s and Dinah’s kitchens shows the almost polar variations that can occur in slaveholding households, but the ultimate destruction that takes place in both homes proves that no matter how things may at first appear, tragedy will always be the result when slavery is at the core. The only way that true harmony can be achieved is through a system that is not based on slavery, as seen in the example of Rachel Halliday’s Quaker kitchen, where the scenarios of the other households are reversed, and the result is a hopeful end for the sufferer through the kindness of a fellow human being. Now it is up to us as readers to conduct our own kitchens with the same values of motherly nurturing, compassion for one’s fellow man, and most importantly, love.

Evaluation of Early Supplier Involvement in Product Development Essay

I certify that in the preparation of this thesis, I have observed the provisions of Purdue University Teaching, Research, and Outreach Policy on Research Misconduct (VIII.3.1), October 1, 2008.* Further, I certify that this work is free of plagiarism and all materials appearing in this thesis/dissertation have been properly quoted and attributed. I certify that all copyrighted material incorporated into this thesis/dissertation is in compliance with the United States’ copyright law and that I have received written permission from the copyright owners for my use of their work, which is beyond the scope of the law. I agree to indemnify and save harmless Purdue University from any and all claims that may be asserted or that may arise from any copyright violation. ACKNOWLEDGMENTS Standing outside the Knoy BS440, I was waiting for the dissertation defense result. Few minutes later, Prof. Schmidt, my committee chair, came to me, gave me one big warm hug and said, â€Å"Congratulations!† Suddenly, the memory in the past two years, all the pains and pleasure at Purdue University, came up to me. This is the moment I had waited for so long, but this is also the moment I was unwilling to face because of the coming goodbye. Nevertheless, I knew things I learnt and people I met there will be the valuable asset in my life and will be with me all the time. For those who have supported the creation of the work, I would like to begin by thanking my principle advisor, Prof. Edie K. Schmidt, who has always encouraged me with her sharp insight and great patience. She is not merely a constant guide throughout my research but also a thoughtful friend. Additionally, I would like to show my gratitude to the members of my committee: Prof. Nathan W. Hartman, Prof. Patrick E. Connolly, and Prof. John A. Springer. Without their guidance, suggestions, criticisms and support, I would not make my thesis possible. One notable faculty in the Department of Aviation Technology I also owe a note of thanks. To Prof. Chien-Tsung Lu, I am grateful for your assistance in reviewing the cultural appropriateness of this research, which facilitated the IRB’s approval process. Thanks are also due to all my colleagues from College of Technology and from graduate office and all my friends at Purdue University, who made my two years life colorful. Having their company was the great encouragement when I felt frustrated. For the numerous industrial contacts and friends in Taiwan, thanks are due to them all. In particular, I would like to thank Yi-Hen Chen for his patience and backing me up. Finally, I am deeply indebted to my parents, who fully supported me when I made the decision to pursue higher education and who never lost faith in me. I love you.

Essay Millay Sonnett Analysis Not in a Silver Casket

Analysis of Millay’s â€Å"Not in a silver casket cool with pearls† Edna St. Vincent Millay’s unconventional childhood, growing up without a father because her mom kicked him out and having to learn independence and responsibility by the age of twelve, influenced her poetry and shaped her as an motivated and self-sufficient individual. By the time â€Å"Vincent†, as she liked to be called, was nineteen years old, she already had already made a name for herself as a formidable poet. A couple discovered her and sponsored her education at Vassar College where Vincent experimented with her sexuality. She openly expressed her bisexuality, and continued to have both male and female sexual partners. When she married Eugen Boissevain, the couple agreed†¦show more content†¦She continues by mentioning the â€Å"ungemmed† hand, because she believes that you don’t need to wear jewelry to express the extent of your love for someone. Women love rubies, sapphires, and pearls, but Edna’s point is that no objects, especia lly traditional objects used to show commitment and affection, are needed for two people to express their love and devotion for one other. Jewelry is more appealing to women, so it may be referenced more when talking to a female lover than it would be if she was trying to share her feelings with a man. Enda refers to â€Å"you† which really puts and emphasis on the fact that there is a specific person that this poem is written to, but it must not be a man because the whole sonnet seems to express a secret love affair that needs to be kept â€Å"secret† or hidden, and the analogies and references made to an open relationship with out any signs of true commitment aside from a weak oath â€Å"not to hurt† the other and an excited expostulation, â€Å"Look what I have!†, to a promise that even though the traditional signs of love are not being utilized in this love affair, that Enda is committing everything she can to her beloved—she’s willing share all her â€Å"apples†. This sonnet has very smooth and fluid feel to it, most of which can be attributed to the iambic pentameter and Elizabethan sonnet rhyme scheme as well as the numerous sound